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Module 01: Diagramming Design Precedent

Peter Zumthor - Serpentine Pavilion 2011, London

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"In order to design buildings with a sensuous connection to life, one must think in a way that goes far beyond form and construction." - Peter Zumthor

Zumthor's Serpentine Pavilion is essentially a space for contemplation and quiet reflection. To achieve such atmosphere, Zumthor created a garden within a garden inspired by the notion of 'hortus conclusus', a Latin term for an enclosed garden. The emphasis of the design was to provide the visitors with a contemplative experience and emotions through the architecture.

 

 

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Timber Frames

Black Idenden

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Circulation Diagram

Threshold Diagram

Circulation within the space is heavily influenced by the straightforward design of the pavilion itself, which is simply rectangular in plan. From outside, visitors enter the pavilion following the pathway leading to the external entrances. Then, visitors will have to navigate through the narrow corridor before reaching another internal entrance that leads to the main area of interest, the enclosed garden. Due to the narrowness of the corridor and the fact that the space per person there is limited, this particular area has a higher crowd density than other areas. Zumthor highly emphasises the Serpentine Pavilion as a space for contemplation. Here, a contemplative state of mind can be achieved by circling around the pavilion or by sitting on the benches provided. Hence, there are two types of movement within the pavilion. The way visitors move around the space is also highly influenced by the sun condition. Visitors tend to circulate in areas where sunlight pools and sit/rest in shaded areas. 

 

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Zumthor's Serpentine pavilion is highly regarded as the 'in-between' structure that separates the outside world from the enclosed space that is the garden. The pavilion serves as a bridge between nature and the built environment. I interpret threshold to not only be physical but also psychological. All the entrances in the pavilion are essentially what I identify as a physical threshold that brings visitors to enter either the solitary zone (the narrow corridor) or the social zone (the semi-open space with a garden). Near the entrances, where it is still bright from the sun exposure outside, visitors will feel like they are still outside. Meanwhile, in dark areas of the narrow corridor where there are no physical entrances, visitors will go through a contemplative/introspective state and will feel secluded from the outside world. Naturally, rain is an elemental threshold that further separates and encloses the garden. This effect is achieved because of the shape of the projecting pitched roof. 

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Plan and Section

Constructing in Sequence

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© 2020 by Dea Sinta

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